Exploring the new AP-270 and AP-470 Celviano Pianos

New Year, New Piano: Dr Chris Stanbury looks at Casio’s brand new AP-270 and AP-470 Celviano digital pianos.

As we’re well into January, you might find your New Year’s resolutions might need a bit of help along the way by now. If buying a new digital piano was on the top of your list, I’d recommend you look at Casio’s new Celviano pianos.

Casio has gone through a huge renaissance recently, and a massive investment in research and development has produced some incredible products that have really caught the eyes (and ears) of the music industry.  With this in mind, I was really interested to see what innovations Casio had put into the new 2017 range of AP series digital pianos. The previous range of Celvianos were so successful, surely no designer would want to change the winning formula?

The new AP-270 Celviano 

The new AP-270 Celviano 

New Designs

At first glance though, it’s obvious that both instruments (the entry-level AP-270 and the larger AP-470) have been completely redesigned. Casio are definitely aiming high here: everything has a quality feel and even the ebony and ivory textures on the keys have been refined.

Casio say that the control panel has been completely redesigned following customer feedback. The whole panel has now been moved to the far left of the keyboard, giving both models a sleeker, premium look. It’s also possible to control these new Celviano models with the Chordana Play Piano app* (for iOS and Android), where you can select different sounds, record your performances and even read musical scores in PDF format.

Chordana Play Piano lets you control the piano functions from your phone, learn new pieces and view PDF music files (iOS & Android*).

Chordana Play Piano lets you control the piano functions from your phone, learn new pieces and view PDF music files (iOS & Android*).


Two New Concert Grand Piano Tones

Less obvious, but just as important, are the big improvements that Casio have made to the sound. I had the chance to hear the old models of Celviano next to these new instruments while I was at Casio’s head office, and the difference is huge.

Both the AP-270 and AP-470 now have two new Concert Grand Piano tones. Why two piano sounds? Well, the answer is in the variety and interest that it gives you as a performer. Grand Piano 1, a majestic European grand, is perfect for classical pieces, whilst the resonant sound of Grand Piano 2 is perfect for jazz and pop songs. Having two pianos for the price of one is brilliant - you’ll always find a tone that suits your style.




Whilst we’re talking about useful features for students, Casio’s Concert Play (available on both models) is definitely worth a mention. These are recordings of favourite classical pieces played by a real symphony orchestra which you can play along to thanks to the included piano score.

As well as being great fun, Concert Play really inspires you to improve your music reading skills and hone your abilities in playing along with an ensemble.

Usually, entry level digital pianos leave me rather uninspired, as most piano manufacturers use basic key mechanisms which don't feel as good to play as the more expensive models. With the Casio AP-270 however, this isn’t the case: the key action is the same as in larger instruments in the range. This makes the AP-270 fantastic value for money: you’re getting a premium key action that will support music learning for years to come, even up to the highest levels of performance. For me, this alone makes the AP-270 one of the best starter instruments available today and one that I would definitely recommend to students of all ages and abilities.


What more does the AP-470 offer?

Put simply, it’s an improved sound and some very useful extra features. When I moved on to the AP-470 after playing the AP-270, I immediately noticed that the piano tone seemed 'bigger'. Casio say this is for two reasons: the speaker system used is nearly three times more powerful than the AP-270, and this larger instrument also has extra string resonance (a computer recreation of all the extra harmonics that an acoustic piano produces) which gives it a warmer sound. The opening acoustic lid, which lifts up just like a grand piano, gives the instrument that extra finesse (not to mention a bigger spread of sound, too). 

Also, there are some really useful extra features on the AP-470, such as the ability to customise the piano tone to your own taste. The best feature for me though was USB Audio, which means you can record your performance straight to USB memory stick as digital audio, ready to share with friends and family.

Overall, I was really impressed with both the AP-270 and AP-470. I was expecting some small improvements, but these two instruments represent a giant leap forward in terms of quality and value for money.


Have you heard about Casio CT-X?

Dr Chris Stanbury reviews the new range of CT-X keyboards from Casio and explains why this latest series is the best yet.


Casio’s name has long been associated with some great innovations in keyboards for well over thirty five years. In fact, the Casiotone CT-201 was the first ever electronic keyboard, launched in January 1980. Other notable keyboards include the SK-1 sampling keyboard (a firm favourite amongst electronic musicians), the iconic VL tone (as used by Human League, Thomas Dolby, Robbie Williams and Lady Gaga) and the extraordinary CZ-101 synthesiser.

I remember spending hours on these instruments at school and at home, creating some great sounds that weren’t available on any other keyboard at the time. Ever since then, I’ve always admired the way Casio have produced their products, with an emphasis on innovation and usability.

So, when I got the call to visit Casio Music UK and try out the new CT-X range, I couldn't wait!


There are three instruments in the range: the CT-X700, X3000 and X5000, which replace the CTK-4400, 6100 and 7200 models. The outgoing models were some of the best selling keyboards in the industry, not just for Casio, so their replacements are eagerly awaited by the industry and musicians alike.

Casio CT-X700

All New Sound Technology

Casio say the CT-X series is all new, featuring a new sound chip (called AiX), new case and panel designs, many new sounds and accompaniment styles together with some incredible new speakers (more about this later).

“We’re incredibly proud of the new AiX sound chip” says Neil Evans, Divisional Manager of Casio Music UK, “It’s the result of a huge investment in research and development, and it means that CT-X can produce some stunning sounds that, frankly, change expectations of what instruments in this price bracket can achieve”.  

As part of my visit, I’m allowed to try pre production samples that have just arrived from Tokyo. I try the CT-X700 first, and am immediately struck by how detailed the stereo grand piano sound is. Neil explains: “AiX stands for Acoustic Intelligent Expression, and it’s an incredibly powerful processor. Not only have we increased the quality of the new sounds, but the processor now adapts to your touch.”

I put this to the test on the CT-X700 and try the new Acoustic Guitar sounds, which sound fantastic. Playing gently produces some gentle string tones, whilst playing forcefully produces effects such as hammer on and slide. Straight away, I can see the potential of this new sound chip: it can produce some incredibly expressive performances, the type of which I’ve only managed to produce on keyboards costing over £500. To be able to do the same thing on something that is half the cost is incredible.

My other favourite tones are the Electric Pianos. Not only does the CT-X have some great new sounds in this category, but I can also hear  effects such as phaser, delay and panning being added automatically. “That’s another advantage of AiX” say Neil, “we can now have much more detailed effects added individually to each part, which really brings the sounds and styles alive”.

The CT-X700 has a stand for a smartphone.

The CT-X700 has a stand for a smartphone.

New Sleek Designs

As well as the sound, Casio have clearly spent a great deal of time looking at the design of each instrument. Each of the three models has an all-new case design, which looks really distinctive. One innovative feature on the CT-X700 is the inclusion of a built-in stand for a smartphone or mini-tablet. This is great if you use music apps, as the stand places your device's screen at the ideal angle for viewing. Connecting your devices to any CT-X is really easy, thanks to the built-in audio input and USB connection.


Moving on to the CT-X3000, I notice that the chassis and panel design is different. There are a few added features, such as the Phrase Pads, where you can add extra guitar riffs, piano arpeggios and more when performing. The speakers now use Bass Reflex technology, giving a wider dynamic range, which is really noticeable. 

There are some much bigger changes on the CT-X3000 to talk about though. As well as a USB Audio Player, which means that you can play along to any standard WAV file (and cancel out the vocal part so you can play it live), I was really impressed to find that the CT-X3000 has something that I've long been looking for in affordable keyboards: an expression pedal input.

As a teacher, I've noticed the lack of expression pedal inputs in affordable instruments. Although all the major music exam boards require the use of expression pedals, you could only use them with keyboards costing nearly £700, which is too expensive for most students. I am genuinely pleased to see expression pedal connections now included on the CT-X3000 and CT-X5000. 


On the flagship CT-X5000, you can even plug in a microphone and put your vocals through the effects processor too.   An exceptional dual 15W speaker system, the largest I’ve ever seen on a keyboard in this price bracket, transforms the sounds and styles. With features like this, it's clear that this is the model designed for the ambitious performer. It really has to be heard to be believed. What's more, you'll find standard Line Output connectors on the back of the CT-X5000 which will plug into a mixer or PA speakers. 

There are lots of small details that Casio have included on the CT-X5000 that make performing just that little bit easier, such as every instrument category having its own shortcut button for quick access, LED indicators to show which of the 128 registration memories you have selected and a controller wheel that can switch from pitch bend to modulation with the press of a button. 

I’m really excited by the potential that the CT-X range offers. Put simply, these are the best mid-range keyboards I've ever played. Casio have included some features that have never been seen before on keyboards in this price range.  

I can’t wait to try them again soon in my local music retailer.


Get playing and stay motivated with CASIO and Rockschool!

So, you're thinking of buying a new piano or keyboard. Imagine it’s unwrapped, out of the box and switched on. You’re ready to go, but how do you know where to start? Wouldn’t it be great if your new instrument came with some music that actually made you want to play and, more importantly, inspire you to keep practising and learning? 

With selected models of Casio keyboards and pianos, that's exactly what happens. Their new collaboration with Rockschool, one of the UK’s leading music exam boards for Rock and Pop music, has produced a free downloadable digital sheet music book that starts you playing some of your favourite pop songs straight away. Forget having to begin your keyboard journey with dry technical exercises or tunes that you don't recognise: for the first time, you can begin by playing songs that everybody knows and loves, which means it's much more likely that you'll carry on playing. 

Not only are there some great arrangements of songs by Coldplay, Ray Charles and Alicia Keys, but the backing tracks to each song are included as well. This means that you can hear the drums,  bass and other parts of the song as you play the keyboard.

This is such an inspirational feature, as you’re no longer practising ‘on you own’ and instead have a whole band to accompany you each time you play .


Every arrangement is produced by some of the UK’s top educators at Rockschool, which means the challenges and musical techniques used are cleverly designed to inspire but not frustrate beginning players. The music is easy to follow, the presentation looks great and every piece offers an exciting challenge which keeps you coming back for more. Having a structured, properly-designed series of pieces is so much better for learning than struggling with YouTube videos, which are often over complex and not always straightforward. What’s more, you can even use these songs in a Rockschool music exam if you wish.

Whatever style of pop music you’re into, you’ll find something of interest in the downloadable pack, which is included with selected models of Casio keyboard and piano*. From Alicia Keys’ No. 1 Falllin’, Coldplay’s The Scientist or Ray Charles’ Hallelujah I Love Her So,  there’s a variety of styles on offer together with some specially-commissioned original pieces written by the Rockschool team.

If you’re thinking of buying a keyboard or piano for you or someone in the family, but have been put off because you worry they won’t stick to it, it’s definitely worth giving a Rockschool-powered Casio instrument a go. As any music teacher will tell you, music practice should be fun and inspirational, and this new downloadable pack does just that.



*Free downloadable digital sheet music book available with the purchase of the following models: CTK-3500, CTK-6200, CTK-7200, WK-7600, PX-160.

view the product

Going Digital: Why Grand Hybrid is the perfect education instrument.

Buying a piano for a school or college can often involve a compromise: do you go for an acoustic instrument, for the authenticity of touch and tone, or choose a digital product which can be more versatile but perhaps lacks the same performing stature or integrity?  Dr Chris Stanbury investigates how the new Casio Grand Hybrid piano offers the best of both, and finds out that these pianos already have a loyal fan base in education.

Screen Shot 2017-11-17 at 10.29.43.png

When I’m asked to recommend a piano for a classroom or music studio, I often have to ask further questions to find out exactly what the priorities are. For example, if it was an instrument intended primarily for advanced performance and piano teaching, I would probably recommend a good model of acoustic upright. On the other hand, if it turns out that the school needs an all-round instrument for classroom music and ensemble performance, a bit of recording, and maybe the ability to connect to other studio equipment, I’d usually recommend a digital piano.

However, I’ve always felt uneasy that schools are presented with this buying dilemma: by buying a really good acoustic piano, you get the necessary touch and performance dynamic, but you have to accept that your investment isn’t the most studio or classroom friendly (once you realise that acoustic pianos need regular specialist maintenance and shouldn’t be placed next to radiators or direct sunlight, plus they need extra equipment to record them if required).

What is really wanted is the best of both worlds: a twenty-first century piano which marries the true refinement of touch offered by an acoustic instrument with the benefits of a digital keyboard. Step forward, Casio’s Grand Hybrid series of hybrid pianos which are co-developed with C. Bechstein, my new first choice when it comes to choosing a versatile classroom instrument without compromise.

First and foremost, the keys are made of the same Austrian spruce wood as those found on C. Bechstein acoustic pianos. In addition, and unlike most digital pianos, Grand Hybrid pianos feature a real, moving hammer mechanism developed in collaboration with the Berlin-based piano company. This produces a playing action that is far ahead of any other digital piano (in my view) and genuinely comparable to an acoustic instrument. Casio say that this action solves the problem that many schools and colleges face: the need for the resilience and versatility that a digital piano brings, but with the authenticity of action that only an acoustic instrument can provide.

Screen Shot 2017-11-17 at 10.29.16.png

As part of the initial product launch, educators from some of the UK’s top music schools and colleges were invited to evaluate the new instruments. The reaction was unanimous: a very enthusiastic endorsement and genuine excitement. Conor Doherty, director of London’s BRIT school was amongst many senior members of music education that were genuinely impressed with the touch and versatility of the Grand Hybrids. Conor commented that "many of our students who come from a more traditional piano background dislike the feel of using stage pianos that we’ve often had to use, and have warmed to the Casio Grand Hybrid far more quickly, and several actually prefer it to the acoustic grand piano that we have!" 

Screen Shot 2017-11-17 at 10.17.02.png

Ryan Hepburn, Head of Academic Studies at Brighton College was similarly enthusiastic about the unique keyboard action in the Grand Hybrid, saying that “it felt like you could immediately connect with the instrument. You didn’t have to compromise in any way.”

In addition to the authenticity of touch and tone, the Grand Hybrid has many important and useful features. First and foremost is its comprehensive MIDI and audio recording facilities. This means that, not only will the instrument link seamlessly to a PC or Mac running Sibelius, Cubase or Logic, but the Audio recording facility enables quick recording to USB memory stick making the audio recording of performances for assessment and archive quick and reliable. No additional leads, microphones or recording devices are required, which will no doubt save costs, not to mention time!

There are other connection options too: it’s also possible to plug the Grand Hybrids into a separate PA system if required. For school productions or concerts, this means that the sound of the piano can be amplified further with additional speakers if required. In addition, the other tones available, such as organs, strings and electric pianos make the instrument more flexible than it’s acoustic counterpart for contemporary music.  On the other hand, you can also use the built-in speakers of the Grand Hybrid to amplify music from other devices, such as ipods, CD players or computers. This means that backing tracks, musical examples or students’ work can be played from a laptop or media device without needing additional amplifiers or speakers, which can be a real lifeline in a classroom environment where equipment can be difficult to come by, or if the Grand Hybrid is located in a studio which is different to the usual listening area.

If you are looking to buy an acoustic or digital piano for education, I would recommend the Grand Hybrid wholeheartedly. It is fair to call these pianos unique, as they offer a long sought after combination of touch authenticity and versatility, with the added advantage of being very reasonably priced indeed.

view the product

Screen Shot 2017-11-17 at 10.15.56.png

Connect to Chordana: What are the main features of Casio's new app?


This year, Casio launched a new app called Chordana Play, which is available for both Android and Apple iOS. Dr Chris Stanbury looks at what it offers both the beginner and established musician.


Thinking back to my earliest memories of Casio keyboards from the early nineties, they’ve always had some pretty interesting education features that can teach you how to play. Casio’s famous lighted keys system, where the keys light up to show you which notes to play was a major development in home keyboard playing, and they’re still as successful today as when they were introduced over twenty years ago.

Today, the idea of using a phone or tablet to learn has become much more mainstream, with lots of online courses, podcasts and apps to help you do anything from learn a new language to improve your cooking skills. However, the apps available to help you play the piano have been few and far between up till now.  So, is Chordana the answer to using a smart device and a digital instrument together?

Firstly, Casio have made Chordana accessible to a wide range of their instruments. From a CTK-2500 electronic keyboard to the PX-870 Privia piano, it’s possible to connect many of their current products to the app and get started straight away. For the keyboards, this can be done with a 3.5mm audio cable (the type that you often use to connect your music player to a car stereo). Once you’ve connected up your smartphone or tablet, you can hear the sound of the app through the speakers of your keyboard and, if you have lighted keys, you’ll see the keys light up as you play any of the built-in songs.

Screen Shot 2017-11-17 at 09.09.26.png

There are 50 songs included in Chordana, ranging from favourite beginner’s pieces to popular classics such as Beethoven’s Fur Elise, all with a simulated orchestral accompaniment. Once you have selected a song, you can see the piano part as either traditional music notes, or what Casio calls ‘Piano Roll’. Piano Roll is proving very popular on YouTube, where there are thousands of piano tutorials using this same format.


However, one of the main advantages of Chordana Play over video tutorials is that, if you’ve connected it to a digital piano such as a new Privia model (via a USB cable), you’ll find that it is much more interactive. This means that you can slow down the performance, repeat difficult sections and even ask the app to wait until you find the rights notes before continuing. Overall, this is so much better than watching tutorials, as you’re directly involved from the start and will learn much quicker.

Chordana play isn’t just for beginners, however. Advanced players will appreciate the ability to load in any standard MIDI file. I’ve tried it with a range of repertoire, including electronic versions of Chopin, Beethoven and Debussy and was very impressed with how clear straightforward the score was presented. The ability to listen to Chordana playing one hand, whilst I played the other was very useful and helped me gain an overall insight into the music much more quickly that if I was playing alone.

Overall, Chordana promises to be a great addition to your home practice.


view the product


As a free download, it’s defintiely worth trying. For more information, see http://web.casio.com/app/en/play/function.html

Compact Excellence: Why you should try a Casio Privia Piano

Did you know that our homes in the U.K. are the smallest in Europe? With living space at a premium, recent reports suggest that smaller beds, sofas and other household items are more popular than ever. But how compact can you make a piano? Dr Chris Stanbury reviews Casio’s solution: the new Privia PX-770 and PX-870 digital pianos.

The Casio Privia: Perfect for small living spaces. 

The Casio Privia: Perfect for small living spaces. 

It may be a cliché, but to experience the best in small-scale design you have to look to Japan. For nearly fifty years, Japanese product designers have shown how to put some incredible ideas into space defying shapes. Since the 1980s, cameras, computers, music players and televisions have all evolved into more compact versions to make them easier to live with. However, it was only in 2003 that Casio revolutionised the world of electronic musical instruments with the PX-100 Privia, an ultra compact digital piano designed for small living spaces.

Fast forward 14 years, and with over half a million instruments sold, Casio are keen to show me their new PX-770 and PX-870 Privia pianos. The success of these instruments is very important for the company, as the Privia range of pianos are not only some of the best-selling slimline pianos in the industry, but they also continue Casio’s design renaissance that began in 2015 with the highly-acclaimed Grand Hybrid instruments.

It’s not until you see these pianos up close that you realise just how compact the Privia is. All the important elements are there, such as the 88 note, weighted keyboard (with ebony and ivory textured keys), three pedals and an impressive speaker system, but they’re combined into a format that takes up half the room space of a traditional digital piano.  As well as being incredibly stylish, the ingenuity of Casio’s design means that the Privia range are the most compact digital pianos on the market today.

PX-770 (£799)

The PX-770: A Great Digital Piano for Beginners

The PX-770: A Great Digital Piano for Beginners

With a price of £799, the PX-770 is currently the best value slimline piano on the market. I spent a long time listening to the piano sound and was hugely impressed with the clarity and depth of tone. Casio say that they have used new sound processing technologies in this latest range of Privia pianos, paying particular attention to the way a piano sound changes as you hold a key for a longer time, and the results are certainly quite stunning.

The keys themselves have had a refresh too, with a new surface texture that feels more subtle and less artificial than previous designs. They felt good to play too, and I was surprised at how expressive I could be on an instrument that is just the first step in the range. Casio say this is because the keyboard action and the main piano tone is the same as that used in the top of the range instruments and they don’t limit entry level models by using a more basic keyboard or piano tone. This is done to extend the lifespan of the instrument: to take you from the first steps right up to more advanced pieces with one piano.

As I’ve mentioned playing pieces, I should say that the PX-770 has something called Concert Play. This a library of built-in recordings of one of Japan’s most prestigious orchestras, the NHK Symphony Orchestra. In this collection are some new arrangements of famous classical themes which you can play along to (the music book is included with the piano). I’ve never seen or heard real orchestral recordings used in this way before, and I can imagine music students of all ages finding this really inspirational.

PX-870 (£999)

If it’s true that all Privia pianos use the same piano tone and keyboard action, how different can the PX-870 be? As I found out, the answer is “massively”. The PX-870 feels and sounds like a completely different beast, even though it has the same compact dimensions.

The PX-870 has a Sound Projection System, for superior dynamics. 

The PX-870 has a Sound Projection System, for superior dynamics. 

Firstly, the piano sounds a lot bigger and more expansive, as the speaker system in this model is more than twice the size of its smaller sibling. Casio have used more speakers in the PX-870 too, as well as including sound ‘ports’ all the way along the back of the rear of the cabinet to increase sound projection. Together with a rear resonance panel, this system delivers a lot more punch and a wider dynamic range, which makes a huge difference.

The sound processing technology has also received a very significant upgrade in the PX-870. The piano tone now includes extra string resonance (to give more warmth and colour) and there is also something called a Lid Simulator. This recreates the change in sound you would hear if you opened or closed the lid on an acoustic piano. Of course, this is all done virtually as there are no physical parts to open and close, but the effect is really convincing. 

The PX-870 has lots of other interesting features too. There isn’t space to name them all, but amongst my favourites are the new Headphone Mode (where the sound is remixed automatically when using headphones for a more natural balance), USB Audio (making it possible to record and playback WAV files on USB memory stick) and the Hall Simulator (where the piano recreates the acoustic of famous concert venues across the world, such as the Berlin Philharmonic Hall or the Notre Dame Cathedral in Paris).

Overall, both these instruments are very impressive indeed. The PX-770 is the ideal instrument for families looking for a space-saving first piano which would easily see them through the first five years or more of their piano journey. I can see the PX-870 being a firm favourite with established players who are looking for a compact solution without compromising on sound or features.  With these two instruments, Casio’s new reputation for design innovation looks set to continue.


view the product



"The Sound of Berlin" - Erica Worth meets CASIO Grand Hybrid

030 colour, for web, Erica Worth Feb 2015.jpg

Exactly two years ago, Pianist magazine editor Erica Worth took a trip to Berlin to find out why Casio’s most recent digital piano innovation – the hybrid piano – was launched in the German capital.

It’s early September, and I’m in a large room on the top floor of Berlin’s sleek Stilwerk design centre, awaiting the unveiling of Casio’s newest digital piano. The room is full of journalists, piano dealers, Casio representatives from all over Europe and an impressive line-up of Casio executives. Kazuhiro Kashio, Casio’s President & Chief Operating Officer, a busy man whom I’d imagine only attends the most important of Casio events worldwide, is here, joined at the top table by two high-ranking executives – Hiroshi Nakamura and Hitoshi Ando. Everyone in this room is ready to discover what the Casio Celviano Grand Hybrid is all about.

An exceptional collaboration: CASIO and C.Bechstein

An exceptional collaboration: CASIO and C.Bechstein

So why Berlin? By way of answer, here’s one name I have yet to mention: Karl Schulze, CEO of Bechstein, who is also sat at the top table. And this is where the story comes together: Casio has developed its Celviano Grand Hybrid in collaboration with the Berlin-based piano manufacturer C. Bechstein. Exactly 35 years after the launch of its first electronic keyboard, the groundbreaking Casiotone 201, Casio seems to be in the role of the pioneer once again, this time combining its electronics savvy with the traditions of one of the top old-school German piano makers, Bechstein. The first two models of the new Celviano Grand Hybrid, that are launched here, are the GP-500BP and the GP-300BK. [The BP-400BK is the most recent model, launched after this event, in 2016.]

‘For the past 30 years we’ve wanted to penetrate the piano market,’ says Casio’s Hiroshi Nakamura of this new hybrid. ‘We want to create more music-lovers, we want to expand the music market: our goal is to help people to enjoy and play music. This is a totally new digital piano that will bring a new edge to the piano market. We want people to feel more pleasure when they play, to feel that they are playing grand piano in their own home. This is a goal that people would say is impossible. We want the perfect combination of acoustic and digital.’

Bechstein’s Karl Schulze speaks of his excitement about the collaboration between the Japanese electronics giant and the venerable German maker: ‘This is absolutely new! Sixteen months ago, some people from the Casio team came to Berlin and introduced their idea of building a much higher quality line of digital pianos. Casio knows a lot about how to build a perfect electronic product – they know to build electronic musical instruments. So we worked together. This is the first step – and it has to be step by step. The second step is that Casio is willing to continue this partnership, to develop more and better products.’

A Look Inside

What can the user expect from these new, higher quality digital piano instruments? Having played an acoustic grand most of my life, I find that as I learn about the new Celviano Grand Hybrid, there are two features that stand out for me: that the instrument includes action of a grand piano and the sound(s) of a grand piano.

To the action first: the Natural Grand Hammer Action Keyboard was co-developed using Bechstein’s acoustic mechanics and Casio’s digital expertise. The action comprises precision-made wooden keys sourced from the same high-grade Austrian Spruce as used for C. Bechstein grand pianos, incorporating real hammers that follow the same path of motion as in a concert grand, even allowing for faster note repetition than on many an acoustic. We are told that the grand piano action on the new Celviano requires no maintenance, but when I ask Schulze about this later, he says that the action might require a bit of maintenance – possibly three to five years down the line, depending on how much it has been played, and that it would only take a small adjustment of an hour or so from a technician. Schulze points out that everything is still a work in progress, and that Casio and Bechstein are working together in continuing to develop the action to the next level of standards. 

All Grand Hybrid pianos have the same wooden keys as Bechstein acoustic instruments, and a moving hammer mechanism designed with the same proportions and dimensions.

All Grand Hybrid pianos have the same wooden keys as Bechstein acoustic instruments, and a moving hammer mechanism designed with the same proportions and dimensions.

Then to the grand sound, of which the new Celviano boasts three, named after three important piano-making European cities. There’s the Berlin Grand (described by Casio as having ‘a balanced, elegant sound, ideal for playing Impressionist music’), the Hamburg Grand (‘A brilliant, rich sound. Loved by pianists for its wide range of expression’) and the Vienna Grand (‘Noted for its impressive low range. Great for both soft and vigorous playing with its warm tone’). The Berlin Grand sound was created closely with C. Bechstein, while the Hamburg and Vienna were developed in house, with Casio’s expertise.

Both the pianos feature a Grand Acoustic System designed to convey every aspect of the grand piano sound such as smooth dynamics between loud and soft, lid adjustment and even that pedal sound of the felt as the damper lifts away from the strings. Six speakers have also been carefully positioned in order to faithfully emulate the grand piano as it disperses the sound from above and below the soundboard.

The instruments have lots of other intriguing features: There’s the Scene Feature (GP-500BP only), which consists of 15 pre-set types of different composers such as Chopin and Liszt, as well as music genres such as jazz and easy listening – pre-sets that combine the best optimal tones, reverberations and effects for the type of piece being played. Then there’s the Hall Simulator, which provides the experience of performing in a special venue such as church or concert hall. You can also try Concert Play, which allows you to play along with a ‘live’ orchestra, or you can chose from an array of tones (35 on the GP-500BP and 26 on the GP-300BK) and more.

Another pianist has their say

Lucy Parham

Lucy Parham

Fast forward some months later and I take one of my colleagues, the British concert pianist Lucy Parham, to a retailer in London to try out the GP-500BP. She’s as impressed as I was. She plays some luscious Brahms, some gossamer Ravel and some light Scarlatti – oh, and the opening of the Tchaikovsky Concerto. She enjoys the Berlin Grand sound the best, telling me that ‘a professional could definitely use this – it has a convincing action. I really enjoyed playing the Tchaikovsky on it. I’d definitely have it as a second instrument.’ Parham tells me that it’s the real action on this that impresses her most.  

What does she think of all the other buttons and functions? ‘I haven’t explored the other sounds and functions yet. I have been focusing on how it feels compared to a real piano. You can have the full lid open, which adds more bass resonance to the sound. You can adjust the touch to make it heavier or lighter. It feels like a real piano under the fingers. I still have lots to try out.’

If the Celviano Grand Hybrid is good enough for Lucy Parham, it might well be good enough for the rest of us. Time to give it a try.



view the product